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Meraki 2022
Editor's Note
As the social isolation caused by the pandemic decreases, we must rediscover who we are both generally and in a social context. Thrusting ourselves back into the “old normal” yields a reckoning with self-identity, a resurgence in frustration and anger for what we’ve experienced the past two years, and a demand for introspection.
Pieces in this year’s publication of Meraki deal with complications inherent to the human condition. How do we adjust back into a fast-paced environment where we see people we haven’t seen in two years? How do we seek assurance that those people will love us not only for who we were, but for who we are? How do we amplify a voice filled with frustration for the apocalyptic two years the world has had? This edition features a variety of pieces that reflect on frustration and anger, identity and introspection, and the complexities embedded in human relationships.
Pieces such as “creme brûlée,” “I’m Afraid to Love You Out Loud,” and “Don’t Be Yourself” radiate frustration with relationships, the world, and ourselves. The anger from these pieces is palpable and reaches past the page, demanding attention from the reader.
“Why Am I So…,” “weight of the world,” and “Reflection Pool” force the narrator to reckon with their own being. These pieces challenge the reader to grapple with the fact that the person in the mirror is both our best friend and our worst enemy. Before we navigate relationships with other complex human beings, we must address and understand our own complexities.
“Leaves,” “Julius,” and “13 Ways of Looking at a Human” address the hypocrisy in relationships and how humans are contradictions. These pieces exhibit that humans are, at heart, a conglomeration of “Yes” and of “No,” of beauty and of hideousness, of sunlight and of moonlight.
It is a known fact that humans are complex and hypocritical beings; this edition of Meraki reflects on that and demands that you, the reader, do the same.
Garden
Emani Leefort
Something is wrong with you they’ll say
when your mind is a garden.
They’ll water the seeds
that sprout tangled up weeds
and make you, no, have you believe
there’s snakes in your garden.
Well why does there have
to be something wrong with my mind?
I’ve been trying for so long to love my mind
because I live in it all the time.
While my garden may not always have
flowers and butterflies,
it’s beautiful because it’s mine.
And I’ll water it every day,
not to wash the pain away
but to grow willows after weeds.
So, I’m not sorry if my garden is
a little too messy for you.
But my garden doesn’t have to be wrong.
It’s just mine. The beautiful garden in my mind.
The Layers Within , Katie Rose, Multimedia Drawing
weight of the world
Visions, Katie Rose, Monotype Print
Estevan Jorge
sends shivers down my spine
my thought process bent backwards
scoliosis
i still move forward
or in a circle
as long as my legs take me
let me into your circle
i’ll let you in mine
we can be bored in pairs
Thirteen Ways of Looking at a Human
Nicholas Burtchaell
Based off “Thirteen Ways of Looking at a Blackbird” by Wallace Stevens
Sitting on a bench
doing nothing in the sun.
​
There’s a few of them
they’re sitting in circles again—
they tend towards shapes.
​
I’ve found signs of them.
They’re everywhere— not even
here right now.
​
They like to destroy
the same places they live.
​
The little brick house on the hill
is comfy, cozy, warm.
Built in the perfect spot,
with a forest all around it.
​
-
just out of its mother
that thing is disgusting alien
unbearable i cant
-
And yet,
sometimes they like to find solace
by themselves and for a moment
it seems right that they are here.
Right now, two of them walking in Chicago.
They talk so intensely,
and just as suddenly
they leave, split,
never talk again.
They are obsessed with each other.
Right now, he’s on his way home
wherever that is,
wherever he’s made home.
And he’s smiling in his sleep.
​
One is looking in the mirror
it can’t stop looking
why did it look
in the first place?
​
You can have your own
only for a little while.
only for a little while
​
Small things bother them too much.
Untitled, Brinley Ribanda, Woodcut
Reflection Pool
Ahnia Leary
We spoke for the first time yesterday.
She asked me what I see
I couldn’t bare to look, slowly shrinking away, She asked,
Don’t you wanna be free?
I took a deep dive in the waters of uncertainty. I told her I don’t know how to
swim.
Glass pieces pricking, painting me with red and burgundy What is life on this Earth without him?
​
I tried to make peace with her this morning but, We just can’t seem to see eye to
eye.
Everytime she tells me,
Let go, trust, my aching heart can’t help but deny.
​
I balled my hands into a fist, and let her hear me roar What does she know about love?
I screamed and screamed until my voice was sore, Have you forgotten what you’re
made of?
​
I broke down and told her I don’t know what to do. I only see grey even when the skies are blue. How do I remove the residue when we were stuck like glue, When his love was the only thing that pushed me through I can’t just wash it away, there’s no soap or shampoo It was just brand new
After all we’ve been through
​
Are you not capable of love even when it’s just you? After all you’ve been through, you don’t know what to do? What others will you be able to heal,
If you do not first allow yourself to feel?
Find peace not in the mountain top, but in the climb. Flowers can’t bloom without the
passing of time.
We’ve spoken everyday since then.
Each day I start to see her clearer.
I will heal I will love I will be loved again.
As long as I love the girl in the mirror.
One Day
Mandee Loney
Her eyes are like pools of thick,
Rich syrup.
I was utterly lost in them,
Unable to make my way up.
And once I did, it was far too late.
The feel of her breath hot in my ear undid
All sense of logic within my mind,
Her hands
On my skin
Left a warm trail of heat behind.
And her mouth,
The things her mouth did to me
Cannot be conveyed by memory.
And then
I felt her melt away
Like chocolate in my
Hands.
Sticky and sweet
Entirely unplanned.
And when she said
“I’ve been there,
I understand”
I wanted to scream
And rip
Those memories away
With my bare hands.
When I cried on her shoulder
About childish things,
The fact I’m getting older
She pillowed her arms around my head
Stroked me to sleep,
Put off my dread
But when I handed her my shriveled heart
She shook her head
And then she looked at me and said
“Don’t worry,
It’ll all go away,
One day.”
One day
One day I won’t cry at the moon
Singing melancholy songs
Completely out of tune
One day I won’t claw at my skull
Attempting to erase the things
That keep my heart full
One day I’ll look at her
And smile.
Don’t worry,
Things stop hurting.
After a while.
Bags, Ashleigh Laws, Painting
Yellow Glare
Maladaptive Daydreamer
Nicholas Burtchaell
Breanna Henry
There is nothing
like the drive where you
slow down for yellows
instead of speeding up.
I don’t want to tell you why.
Some yellows you enjoy,
savor that sweet switch to red.
rest for arms to dangle out windows
and pick at peeling paint.
I won’t tell you the specific moments, that would be too personal.
Other yellows. to delay.
Hands gripping steering wheel,
picking the leather cover.
Butterflies dance with lead, sickening.
I wouldn’t tell you that I have thrown up on purpose to delay more.
Neither of them are anything
like the drive where you speed
through yellows
not to waste a moment in between.
He sits at the dining room table.
He cuts it precisely in even rows,
And places the green stuff neatly in the joint paper.
He rolls it carefully,
Licks it, so it stays put,
Twists it at the end,
And brings his BIC lighter close to it for a few seconds enough to spark.
It’s his fix.
He smokes it, and his mood changes.
He’s happier, goofier.
He’s cracking more jokes, he’s smiling more.
His ritual fascinates my prepubescent eyes.
The intricacies, the steps.
I sit on the edge of my tiny twin-sized bed.
I rip a line of paper from one of my empty notebooks.
I roll the paper all the way up until a certain point,
And when I get close to the end,
I lick it, so it could shake.
I finish rolling it
and brought it up to my eyes and moved it right and left.
It’s my shaker.
I talk to it.
I throw it up in the air while running back and forth in the house,
And catch it before it hits the ground.
I roll it in my hands and imagine myself in a different body.
I shake it, and my mood changes.
I’m happier.
More creative.
I’m in music videos and movies and sold-out stages and marrying my celebrity crush.
And then I grow up.
And my mom says
“Stop all that daydreaming!
How much longer are you gonna be shaking that thing?
You’re in high school!
What, are you gonna stop when you get to college?
What about when you get married?”
I look up at her hardened eyes, then back down at the shaker in my hand.
My magical joint suddenly looked like a limp piece of notebook paper to me.
I throw it in the garbage can and look up at my dad.
He sits on the couch silently watching, his eyes glisten with numbness and...disappointment.
He leaves the room and goes to the garage.
My mom stopped him from rolling weed in the house,
So I don’t see him at the dining table anymore.
I know he still continues his ritual, though, because his mood changes.
He smiles.
He cracks jokes.
Jokes are easy.
Spoonfuls
Abbey Hebert
My sister once fit into a cup. Her body’s cells lost interest in their repetitive repeating of their conventional functions, so they decided to disappear, making room for the new water molecules. I had been hoping, without even realizing it, that my sister would keep her solid human body intact. My subconscious aspiration failed me once I arrived at her house and saw her in a small puddle on the floor.
I decided that I should probably do something about my water-sister. I scooped her into a spoon then slowly poured her into a small teacup that was on her nightstand. After I finished this task and the cup was filled to the brim, I contemplated what I was supposed to do next. I wrapped my fingers around the belly of the cup and carried it around with me, a way that I could still spend time with her. My sister had become an unattainable and unreachable liquid, even more unattainable and unreachable than when she had her human body.
She started growing, and soon enough, she overwhelmed the borders of the teacup. So I ran with her to the bathroom across the hall, rushing to throw her into the sink - my effort to contain her. Because some of my sister had spilled over the insufficient teacup dams and onto the floor, I retraced my hectic steps with the spoon and picked her up again, carefully dragging her back to the sink to throw her in, spoonful by spoonful.
As soon as the spoonfuls were collected in the sink, I decided to take a break. Trying to control a force of nature was exhausting. Beyond the window in the bathroom, I heard a sound-- like a scream. I peeked outside, trying to narrow my eyes to search for any telltale signs of danger, yet there was nothing out there except for busy people, people who walked in groups, holding hands, giving hugs, and kissing cheeks. I was interrupted from my reverie by wailing coming from the sink. I walked closer and realized that my sister had turned on the creaky faucet, and foreign water turbulently churned with formerly still sister-water. She was screaming
-and growing, and soon she overflowed the sink. I grabbed the bucket from the closet and placed it under her until every last drop had fallen into it. Although I had turned off the faucet, its cry still echoed from the bathroom walls and flooded my ears. I thought perhaps it was my sister screaming not the faucet, but this scream was too large to be felt by one person, or, I guess, by one puddle.
My sister flooded the bucket I offered her, which had too many cracks and holes to carry water anyway. I knew what to do. I didn’t want to do it, yet I knew that she’d keep fighting and screaming and hating until she flooded the whole house. I knew that she would drown me if I did not free her.
I ignored this; my love, though restraining, was genuine. I moved her from the bucket to the bathtub, a bigger space, hoping she’d be content with this amount of freedom. After leaving her there, I searched for a towel and wiped up any excess water that had escaped onto the floor. As I was doing this, I felt a cold presence whishing onto my ankle. I looked down and saw a colossal collection of water, one that had overflowed all of my proposed confinements.
Using the bucket again, I scooped her up, bucketful by bucketful, and walked down the stairs, out the door of her house, through the streets of her neighborhood, and into the entrance of the park until I reached a small river, which was what I knew she wanted.
This took longer than I had originally anticipated, so I salvaged our time together and talked to her along the way. I talked about how I missed her, how I was thinking about quitting my job and moving near her because I missed her so much, how mom and dad were getting divorced, how I needed her, and how dumping her into the river would be the hardest thing I’ve ever done. I had even promised her that I’d visit her in the river as much as I could. I was talking so much that I wasn’t watching my step, and I tripped. When I opened my eyes, I saw droplets of her scattered on the harsh cement.
She had escaped from me. I watched as she formed a wavering line and darted towards the river, gathering all the parts of herself. Once the last drop of her splashed into the river, I saw the current pick up.
Alligator Song
Emmory Bridges
I am the unhinged chin
of an alligator
hanging from red
sunburnt cheeks,
full of sharp teeth
breaking the surface
of stale water;
the swamp is
a cracked egg,
yolk laying belly up
for the world
to bloom from.
Quit
shaping your mouth
into the name
of a flower
when you call for me.
Call me
Mamma’s daughter,
ferocious
while I cradle
old scales.
Call me
little sister,
our strong tails
twisted together
like dry vines.
Call me
an alligator,
and I will open
my great
green jaws
to sing.
Garden of Eden III, Brinley Ribando, Acrylic Paint
Why Am I So...
Morgan Love
Why am I so loud? The question runs through my pre-teenager mind, a space already consumed
by social anxiety and insecurities. At this age, I had it in my mind that something was wrong
with me. I naturally have a distinctive voice; my mother could find me in a room of people
simply because of my voice...but also because of the volume of it. Born and raised in
Mississippi, I carry the weight of a thick southern accent and it is Mississippi cicadas and
buzzing bees in a symphony inside my mouth. I’ve never been one to be quiet and lighten my
voice for others. This is who I am. This is who I strive to be everyday. However, this was not an
easy conclusion to come to. Years of being given the dreadful side-eye or hearing the sly remarks
of Kameron Bryner on my weight, a boy so tiny that it makes me wonder why I didn’t just push
him down. These years were spent draining the confidence out of me and supplying me with
permanent body dysmorphia and anxiety. From middle school to the first years of high school, I
was miserable. I hated my body, my person. I hated every inkling that came with my being. I
hated myself. A tale on how I overcame these demons would be one so long, the Talmud would
be a breeze, so I’ll say the highlights. Unfortunately, the body dysmorphia isn’t gone and
probably will never be. I consider this a result from trauma and I’d rather deal with it than let it
consume me. This dark side of me wishes I could die one day and wake up in the body I see
myself in with a face I actually like, but I like to keep that side in the dark, out of mind. Moving
away from the morbid details, I have succeeded in my battles more than my failures. My
confidence, for one, has done a complete 180°. I walk in a confidence that I never had in my
years prior. I walk differently, talk differently, and I carry myself with a lot more respect. I still
have a ways to go, but I am proud as hell of the destination I have reached. Seeing myself do the
things I used to dream about doing is the biggest win I could have taken in my life, and I will
continue to do so. Another good, probably the best good, is the answer I have for my
pre-teenager self; a duty I bestowed upon myself to find. Why am I so loud? I am loud because I
was not created to be quiet. I have faults that I dread and I have features that I’d die for, but at the
end of the day, I am me. Why should I lower my voice and lower myself in the same sense? Why
do I have to become something I am not? I have learned to not question my antics, my behavior.
It is me and only me. I am an enigma. I will be me until I return to the Father and I will be me
on this Earth after. This is the good, the bad, and the ugly, dare I say. And I wouldn’t have it any
other way.
Nature Butterflies, Sydney Crawford, Acrylic Paint & Marker
Drowsy China Trippin, Sydney Crawford, Adobe Illustrator
Hey There Darling
Mia Vitello
Hey there darling
How are you?
That’s a stupid question, I know you’re not okay.
I know the walls are closing in.
I know the sky is falling down.
I know that the word hope has ceased to exist in your brilliant mind.
I know you feel like you have no future, and that the world is ending around you.
It’s not, just for the record.
You survive, even though you very much believe you won’t.
You survive.
You survive everyone who told you no.
The ones who told you that you would be nothing
are now sitting at home in their parents house
as you thrive in the city of your dreams.
And the ones who belittled you for your imaginative ideas
now watch as you make yourself a life
with those same ideas as a foundation
You survive the voice in the back of your head.
When that little voice tells you to give up, don’t.
You’ve never been one to cave into life's pressures, why start now?
The voice is not always right, in fact, the majority of the time it is dead wrong.
Follow the path you know is right for you.
You survive him
It’s been 8 months since you talked to him and
you’ve never been happier.
He is not the sun for you to orbit around
in a constant chase with no end.
He is not the source of your happiness
rather the inventor of your darkness.
He is not your home.
You are your home.
The sooner you realize that
the sooner you will break free of him.
You need to break free of him
It’s hard now, and it may seem like there is no end, but it gets better.
So much better.
But until it gets better, just remember,
The wall are not closing in,
The sky is not falling down,
And hope is real, and something you need to remember to hold close
You will get better darling, I know you will.
High Tides, Ashleigh Laws, Painting
Hate
Estevan Jorge
crème brûlée
Mandee Loney
i would enjoy some love on my plate
good change of pace
whistle in my ear
blow me away
i hear what i want to
is it baggage or luggage
i hate the way
you scrape
your crème brûlée
with your teeth.
i adore the way
you scrape
your crème brûlée
with your teeth.
oh
what have i done
to myself?
Aggressive Black Woman
Don't Be Yourself
Breanna Henry
Emani Leefort
Mama, are we the aggressive black women they speak of?
if so then why do I hide
behind closed doors
and grit my teeth cause
our veins are filled with what was
where do I begin
ancestors forced to build buildings
they could not even sit in
Begging black babies to be quiet
in a country built on “carcasses”
noise equates to being violent
people fear what they don’t know
some eyes see black as animal skin
recognizing a wolf when I’m a doe
filled with ancestral trauma within
all of my roots I’ve internalized
history’s holding onto my heart
they use our tongue to weaponize
but truth is the center of black art
Mama, is that why they think I’m this legendary aggressive black woman they speak of?
Don’t be yourself around me.
My mind will tear you apart
my eyes will rip your clothes to shreds
my ears will assume every word you speak is a lie
my lips will mumble rebuttals
my head will tilt in disapproval
my eyebrow will raise to intimidate
you’re not safe with me.
Don’t be yourself around me.
I’ll remember all your faults
the wrong things you spew
the patterns you do
everything that’s wrong with you.
But be you, boo.
Not true
I will analyze you
until you question you
until you change you
until there’s nothing left of you
there will be nothing left of
you.
The Most Unfortunate of Times
Dajah Renee Saul
Everything suddenly becomes clear when you’re stabbed in the back.
The world turns cold and icy as you spot the infamous sign:
NOTICE TO VACATE.
You thought the new job would secure your spot; You thought your children could finally have the stability you have so longed for.
Vacating your self-made premise was never the plan. Your mother would be so disappointed in you for your losses.
“This is not your fault…you’ll find your way out of this…this is all wrong…”
Your thoughts circulated with decision-making like never before.
If you just talk to your landlord, maybe they’ll be more considerate. You promised to pay them this month’s rent: you even went to the bank to finalize the payment. You slid the check and notice underneath your landlord’s door, but instead of an extended stay of residence, you spot new decorations and wheels around your landlord’s car. Devastation doesn’t even begin to encompass how you feel deep inside.
Could you find it in your heart to fight? Would the court find your testimony enlightening and perfect? You would have to answer all questions and arguments to perfection and with just precision. Your landlord wasn’t exactly someone who played by the rules nor had room to be (or more or so feel) in the wrong when it came down to something that they wanted.
Today is the most unfortunate day. The time has finally come. You step out of your vehicle with children hand-in-hand, although you didn’t want them to see the possible negative result of the case. You wait outside the courtroom in the hall, sitting in the most uncomfortable leather chairs, with your discomfort only heightened by seeing your landlord enter the disturbing space.
It’s your turn to finally enter through the doors of earthly hell. You feel the eyes of all individuals stare with curiosity and judgmental precision. You sit in discomfort as you watch your landlord attempt to be the prime jewel of the courtroom for all jurors and the judge to see. As they sit with a mischievous smile on their hands, you cross paths with them with sweaty palms and uneven breaths.
“Breathe…think of yourself and your family…it’s the only thing left you can do…”
Only that courtroom could make you feel like the worst person to ever exist. You answered all the questions, you kept all of your receipts, you defended your case: what more could that jury have wanted from you? Despite your nerves, you notice that your landlord is equally nervous by the looks of their pacing and the action of them biting their nails. This is not going to end well, and whatever the outcome, it can’t be pretty on either side. As you contemplate the potential future of your life, the officer hails that everyone is to return to the courtroom for a final decision.
No. No, no, no, no , no. This has to be a mistake. This can’t be. You would have to call your mother to ask for a place to stay; You’d have to call a storage facility for a unit big enough to stuff your entire livelihood into; You’d have to ask for a compensation check from work. This is not the happy ending you envisioned, but then again, happy endings don’t exist in the real world. To be expelled from your supposed home and to be treated like trash on the streets fully encompasses your worst fear of life:
The world is not made to fit you.
Embodiment, Ashleigh Laws, Painting
Bags, Ashleigh Laws, Painting
2 0 0 2
Dajah Renee Saul
THIS IS A TRUE STORY.
THE EVENTS DEPICTED TOOK PLACE IN [redacted] IN 2002.
AT THE REQUEST OF THE SURVIVORS, THE NAMES HAVE BEEN CHANGED.
OUT OF RESPECT FOR THE DEAD, THE REST IS TOLD EXACTLY AS IT OCCURRED.
A deputy walks into a broken home.
What do they see?
Blood trailing from the front door down to the stairs of the [redacted].
A [redacted] abandoned by its user.
The user’s wife [redacted] by the hands of the beholder.
The user is frightened and terrified of the deputy, yet relieved to be able to spin a false yet believable tale of the crime.
The deputy listens to the foolish cries of the user, absorbed by the drowning waves of his deceiving words, desperately trying to swim out and away.
Yet they are so entranced by the elaborate tale, so entranced that they do not hear the deafening click of [redacted].
The user stops in the tracks of his story and is brought to silence.
The deputy is intrigued by his sudden pause. What could have caught the frightened user’s eye so quickly?
As the user backs away from the deputy, the soul who produced the click steps closer, and the deputy becomes more confused.
The creaks of the wooden floorboards from the click’s feet seemingly confirm the worse (trouble for the deputy, yet not for the user).
As the deputy reaches for their firearm and proceeds to turn towards the click and away from the user, the click (later confirmed to be another firearm – precisely the [redacted]) immediately stops the deputy in their tracks with his infamous click.
And what happens to the deputy once they stop?
Their blood mixes with the forgotten trail from before as they solemnly drop to the floor as if they are dead weight.
The user, more frightened of his acquaintance than of the dying deputy, follows his crime’s bloody trail to the [redacted].
The [redacted] machine conceals the user’s identity as he prays for no further encounters with the click.
He waits. And waits. And waits. Yet the click does not make an elaborate entrance nor makes its presence known.
The user, still hidden by the mechanical machine, moves around his crime (he will no longer associate his dead wife as a person) and does something rather foolish, though he believes his act to be quite clever.
Another trail of blood mixes with the previous two, as the user now lays on the [redacted], not too far away from his crime (though since he is now unconscious and has a bloody bruise on his head, he no longer associates his wife as his crime as he has now made himself a victim).
The house, no longer a home, is filled to the brim with chilling silence.
Not a soul stirs in the crime scene, not even the departed souls of the deceased.
And yet, as the cold bodies of many lay in the residence, what happened to the click?
Where did it go?
How did it arrive?
How did it make the acquaintance of such a fragile man?
How did it escape? Was it ever there in the first place?
If so, was it the click’s purpose to [redacted]?
The abandoned scene echoes in the click’s mind as he drives the [redacted] from no longer the user’s crime, but the click’s finished assignment (as the click is used to this type of business).
Police sirens pass by the [redacted].
The sounds of his escape and success bring a smile to his face.
Maybe even a tear to his eye as well (though he’ll never reveal that detail to the public nor private eye).
The fumes fill the cold atmosphere of the outside world.
The click is satisfied.
The police in his glorious and beautified painting is not.
Yet this will never matter.
After all, THIS IS A TRUE STORY (with a [redacted] ending).
time is money, Abbey Hebert, Photography
I'm Afraid to Love You Out Loud
Anija Mitchell
Blurred, Katie Rose, Monotype Print
You like pussy;
They say the word so harsh.
Like molasses stuck to their gums,
it’d be nasty,
As they pull apart their ink smudged lips
And smack at the goop as it twines and threads bitter cords in their mouths.
I ain’t know you was like that
The muck seeps from their teeth and drools on their stained white shirt.
Bitter flavor mixing with alcoholism and cum.
Hot breath swallows me in nerves and I recoil in fear.
Their probing eyes leave no room for love.
So, I eat my anxiety and fill up on my angst,
Pretend there is no desire to call her black body delicious
That I don’t like the way her skin taste under my tongue,
Where her head roll back and her eyes follow.
Fake-like her pleasure ain’t my euphoria.
Where it isn’t filled with her voice,
laced with sounds of sweet talk,
soothing conversation and painted with pink or whatever color she likes.
I only let her exist in whispers and call her by “it” or “girl”
Only having arbitrary thoughts of what “it” would be like.
Would I love “it” the way I love him?
I’d love “it” more,
but only in my head.
“It” comes out in code,
In the hum of a sugar toned song.
Sweet,
Pancake battered, topped with syrup and cinnamon.
I smile about her and keep it all to myself.
Have her name for dinner,
It taste good on my tongue;
Savory and sweet.
She is my home cooked meal.
Where I mix my cornbread and greens and have my macaroni with my yams.
The Wrong Name
Michaela Litton
I put on my makeup and step into my closet
Made of glass and insecurities
As I wonder if I’m even who I say I am anymore.
Nobody believes me either
As they refer to the woman I once was
And suddenly I crawl into myself,
Searching for the young girl who knew
Nothing of what she was to become.
Am I still her?
But I look into the glass to see them staring back at me
With a melancholy glint in their eye
As they wonder the same thing.
“Ain’t I not a woman?”
Womanhood
Ahnia Leary
Inspired by Vogue, Katie Rose, Pastel Drawing
I am a walking portal of life.
I bring in the existence of an entire species.
I am the reason that we all exist.
Without us, there would be no you. No higher paying job for you to do.
For nearly a year non stop we grow limbs, hands, feet, a brain, a nose,
bones.
Bones that we push through our own bones.
Vital levels lacking, hips cracking,
Shifting organs to make room for you.
You, who
no matter what I do,
will never see the miracle of living for two.
You inflict misogynistic pain, talk about our bodies with disdain,
just to forget your contempt when you decide to indulge.
How quickly you submit the calls of a
Bulge.
Capitalizing off our nonexistent flaws, then sit in a white room and make laws,
all naming me as the cause,
for my own trauma.
How many of us have testified in a courtroom turned sauna? heated by the suffocating stares of men with glares that only comprehend the term “slut” and “what she wears”
It wasn’t my fault
isn’t our fault, that to aid our wounds you only offer salt.
All you ever say is you asked for it, be calm.
Is that why I don’t have the strength to tell my mom?
Or has she not told me, what’s impossible not to see, that nearly every woman you encounter is a victim of the patriarchal decree.
Conditioned to believe that our bodies are “wrong”.
Jokes about betraying us in every song, will we ever escape this man-made cage? Will we ever find a remedy to subside this rage?
Yes, no, maybe so. If nothing else there is one thing I know.
As long as we are authors we must fight for our daughters,
and shame the world into training our sons.
So that when we pass by them alone at night our first thought isn’t to “run”
Morgan Love
And they step and walk and run across me as if I feel no pain. My strong strands fall limp and
bend in defeat from their careless powers; Being the superior being, a match I cannot win
against, I stand and endure. I endure the weight of a new shoe and the foot of a fresh baby,
molding myself to fit their force. I hear my fibers and listen to their cries of pain and suffering,
pleading with me to help the pain stop. But what could I do? Could I rise above and save them
from death? Would I stop the brown from seeping into their pores and killing them all? And if I
did, would they stop or would they keep going? Would they step and walk and run across me as
if I feel no pain?
A Monologue By the Grass
power is power, Raeann Koehler, Digital illustration
Without The Weight
Nicholas Burtchaell
Walk outside and step in a puddle.
Our car doesn’t start at first.
A brown river stains our flower garden.
An outfit thrown in the dryer.
The drains whisk it away.
The grass soaks it up.
The sun dries every corner.
Not a trace left.
but look a little
closer, feel the sun
beat harder now. Trees rustle
a little louder, flowers bloom to catch your eye.
Feel. Listen. See.
All the things you couldn’t
without the weight
of water
falling.
Buzz, Ashleigh Laws, Painting
a constellation and a red giant
Abbey Hebert
gilded stars decorate your midnight sky.
you’ve kissed constellations into my eyes
and have anchored my gravity next to yours
where we lie on the ground admiring astronomy.
those blue eyes shone golden but rotted underneath.
tracing your knuckles i laid eyes upon the big dipper.
you explained that the constellation Boötes is the sky’s herdsman
who wields the great dipper and possesses his own void.
you say Boötes kidnapped the brightest star Arcturus
and keeps her locked in a cage until springtime’s sunsets.
you glanced at me, my hair ambushed with grass, then again
studied Arcturus. mournfully, you said Arcturus is a red giant,
a star destined to be a memory. you stare into my cheek
and ask me if Boötes and Arcturus are soulmates.
no, i say, there is no such thing.
Ceres
Emani Leefort
Angels above our heads cried acid rain,
Mother earth was in pain.
An eternal life that we overlook,
holding centuries
of diaries,
of memories,
fearing Ceres.
That asteroid in the sky,
Keeps us running in circles,
Can’t let it get us or we’ll die,
yet if Ceres hit Mother Earth,
Fertility would become a crown,
And behold a new birth,
After ashes from what burned down.
Garden, Brinley Ribando, Monotype
Fall
Breanna Henry
Wood comes to life in the fall.
Wind breathes on it.
Wood responds,
With squeaks and groans and
Whistles and tones.
Wind stops for a second.
Wood goes silent
Waiting to receive life again.
Wind is there. I know it, because
Wood talks.
Wood tells me stories about Wind as I
Wait in the cabin.
Wood laughs at
Wind’s jokes and
Wood cries at
Wind’s memories. I listen to
Wood screech, enraptured in
Wind’s wisps as the goosebumps line my arms.
Wood comes to life in the fall.
Wind breathes on it.
Wood creaks with glee.
High Tides, Ashleigh Laws, Painting
High Tides, Ashleigh Laws, Painting
High Tides, Ashleigh Laws, Painting
Nightshade, Katie Rose, Monotype Print
Por qué te preocupa?
Nicholas Burtchaell
Por qué te preocupa? Why are you worried about it?
Esta mañana This morning
encontré una naranja mariposa I found an orange butterfly
en el suelo, en el lodo. on the ground, in the mud
No le dí alguna de mente I didn’t give it any mind
hasta vi que su ala until I saw that it’s wing
estaba rompido. was broken
Triste, sin aleteo, Sad, no flutter
sin esperanza. no hope.
Sencillamente me fui, fui a la escuela. I simply left, went to school.
No había algo pude hacer. There wasn’t anything I could do.
Crawfish Boil, Emmory Bridges, Acrylic on Canvas
A Tree in Audubon
Morgan Love
brown bark travels to lands of a brick-colored community dwelling in its remnants of the past---still and motionless.
it awaits something. it awaits its inevitable fall to death, a slave to the ground it once had reign over. dreams to climb its way to the top and laugh with the green ones. their skinny fingers flow with the current of the whispers of wind; their words spilling secrets of the ones they’ve passed; the bright light of the day bores a spotlight on everlasting growth and stories of the people.
and when the light dims and a dark blanket is laid upon it, it remains in its place
---still and motionless.
Streetcar I, Abbey Hebert, Photography
A Fine Time of Day
Julius
Lawrence Bourgeois
A lambent amber glow permeates your grove
Apologizing for noon in a mild-not-meek tone
A bundle of slow-fading rays, gold like a trove
Soak your frame in gilt warmth to the bone
Just before dusk can take on a strong hold
A weak radiance reminds you of our life, if not youth
Friendly gold offers luminous fingers to lighten your load
And if you ease your squint, it whispers a rare truth
No one looks forward to a final sunset
“In another life, my friend?”
But those wise enough root in “not expired yet!”
And see the fading glimmer-gold as a godsend
In your youth, who could claim to be more mild?
In the garden with your sister, oh, how you smiled!
Sweet Julius, you were one of a rare few
You were content to be a child
A bouncing boy in bright baby blue
In a puddle, you were a captain with a crew!
Little Julius, so full of unconscious joy
Every sad day was brightened just by watching you
A spirit like yours, age could never taint
Surely our boy would be a modern day saint
Dear Julius, God, what could we have done?
I shrieked when you began to faint
Did we allow you to read the wrong books?
Behind our backs, were you influenced by those crooks?
Christ, did we do something wrong?
Amongst all the joy, was there something wrong?
Once-tender Julius, where have you gone?
Your pristine visage, marred by these evil looks
Something’s wrong. Our boy, is he gone? Or dead?
They may share a body, but not a head
Beloved Julius, trampling the flowers he once grew
Julius, Julius, we miss you.
Human Host
Estevan Jorge
of blue
frosted finger tips
if i touched you i think you’d turn blue
not to exaggerate
but if i could sing i think i’d sing the blues if i were to be reincarnated
i think i’d be a blue jay
or a blue
no wait
if i touched you i think it’d be two
two dazed and confused
ready to lose
with blue in our hearts but red on our sleeves it’d be good in our hearts till its time for us to leave we all host something as deep as the blue maybe the something that covers the true
Comic Kaleidoscope, Abbey Hebert, Photography
light out
Emani Leefort
Please turn the light out,
I can't look at myself right now.
I try to muster up the confidence somehow,
But I just want the light out.
Please turn the light out,
I’ve gained some weight,
the way my skin looks from stress,
I truly hate.
I just want the light out.
An expanded stomach from comfort food,
Sugar refined greasy skin affecting my mood,
Despite all the “You’re so pretty” sayers,
I pick myself apart layer by layer.
These thoughts go through my mind,
like wind,
maybe it will change with time,
But now I find,
sometimes I keep the light on for a long while,
then I want it out again.
.....
Ida, Brinley Ribando, Acrylic Paint
Leaves
Abbey Hebert
.....There were days when the sun melted over the horizon and clung to the house like the warm embrace of a mother. Orange and red bled together and poured into the living room, forming uneven blotches of warm colors. I sat on the couch, staring through the large window, watching how leaves drifted along the streets; they rolled in circles. Cold air tiptoed towards me, so I reached for the blanket that my mother Mae knit for me years ago. It was ugly and ripped at the end-seams, which I swore she could have sewn more carefully. Even so, its material, the pastel pink which had faded to a peach, kept me company as I sat watching the sunset alone.
.....Blue peeked into the sky, whispering to me memories that were only remembered in the solitude of night. The night my mother taught me how to knit, her voice suffocated me in feathers. After every ten or so stitches, she’d gently ask, “Are you still watching?” and I would nod yes, watching her hands manipulate the knitting needles. Though I knew my mother could not knit forever, I wished for it anyway, fascinated by how easily her fingers danced around cloth and needles. Grating knocks whisked away the secure silence from the house.
.....That same day my mother safely ended the stitch she was in the middle of knitting and walked to open the door. Once he set foot into the small house, a cluster of fires erupted at the bottom of my stomach. Miles was a man who only owned dirty white T-shirts and jeans, smoked cigarettes for sport, and grew a beard he never groomed. His eyes were indecipherable, and on multiple occasions I had stared at them while they stared at my mother.
.....On a freezing winter night two years before this, my mother threw the shirts we owned into a plastic bag, kissed my father’s cheek then walked through the door. I knew that I would never hear my father’s voice again or feel the seedlings of a new beard brush against my forehead as he bent down to hug me. Because my father always worked, I spent the most amount of time with my mother, one of the only reasons I did not jump out of the car as we backed out the driveway, but rather stared at my father’s face through the kitchen window.
.....When we met Miles, my mother and I were walking down the street, hands intertwined so she would not lose me in the crowd. Leaning against a fence, he greeted my mother with a sly “Hey, beautiful,” and she let go of my hand and walked towards him, expecting me to follow. My mother told me that night she had immediately become fascinated with the way his lips pulled apart when he grinned and that she only ever wanted to make him smile.
.....“But, momma,” I said, “don’t you want to make me smile?”
.....Taking my hands in hers, she answered, “It’s a different kind of love, sweetie.” The same honeyed tone appeared in my mother’s voice as she said, “Miles, come on inside,” the yarn and needle long forgotten on the table.
.....After he stepped in, she closed the door and turned the lock. “I’m sorry,” she began, “but I didn’t get the chance to start on dinner. I was teaching Delilah how to knit our blanket.” Sparing me a small smile, my mother followed Miles towards the kitchen.
.....The words “I’m sorry” swam through my mind like a fish swimming through tar. My mother repeated these words like a beaten hummingbird. Rather than preparing dinner for her significant other of two years, my mother created luscious lines of stitches, a full row for the blanket that she planned on making for me, an activity that was supposed to bring us further together. She knew the house became lonely and cold when she left me for Miles’ house, and she knew the blanket would provide a heat warmer than body heat, even a mother’s. Instead of
bringing us together, though, knitting that blanket only alienated me from my mother even more, for after every stitch she interrupted, I felt my stomach birth anger.
.....The days I spent watching the days drift into nights belonged to me. I sat on the sofa and spent hours upon hours staring at the leaves dancing on the street together, and sometimes I turned on the radio like my mother and I used to do, and I danced in sync with the leaves. I was sure my mother often thought of me when with Miles just as I thought of her when I was alone. I was sure she thought about how my hand felt in hers or about my excited squeals whenever I correctly knit a stitch. It seemed as though whenever my mother and I finally had the chance to work on our blanket, Miles appeared.
.....After Miles stepped inside, he groaned. “Don’t you know how hungry I get?” Throughout their relationship, my mother had learned to stay silent. “After a long day of work,” he complained and shook his head. “I expected more from you.”
.....My mother looked at me, and I thought she was checking to see if I too was disappointed in her.
.....Miles said, “Come on, Mae” and gestured towards the door.
“No,” my mother said. “I really want to stay here tonight. To work on the blanket.” I stared at her, wondering why now she gathered the courage to defy his commands. Worry decorated my eyes, for my mother and I knew the usual consequence when one of us would disobey Miles’ commands. In the beginning of their relationship, he was only kind, “sweeter than candy,” my mother used to say while dancing with me to the songs humming through the radio. As time went on, he became more and more aggressive. I remember the first night they fought while yelling at each other, I could not fall asleep; I stayed in my bed, a lumpy horizontal being rather than a person, and that was the first time I felt empty, missing the warmth my father radiated when he used to read until I fell asleep. Months later I had gotten used to the yelling, but the first time I saw him hit my mother, I realized just how much I missed my father.
.....The sky just began giving birth to evening, and my mother and Miles sat in the battlefield, at opposite edges of the kitchen table, the same table that we, months prior, had joyfully gathered around and talked about our days. Red cheeks, prominent veins, and airborne spit coerced me to recognize the ferocity they both invested into each other, the anger they claim stems from love, not hatred. This, though, did not seem like love. My mother’s throat must have adapted to this routine, for she and my father used to do this too - except he was much quieter than Miles. I assumed my mother was so dedicated to making her relationship with Miles work because she told me that new beginnings are exhausting.
.....My father never hit my mother, so I had expected Miles to get her a warm cup of tea before suggesting that they calmly finish their argument in the morning. When my mother mentioned that Miles wasn’t allowed to see his biological daughter again because of criminal charges, his fist became a slingshot, flying back before landing on my mother’s jaw. With widened eyes, I sat there silently, overly aware of the spit suffocating my tongue, making me too frightened to say anything. I nearly tasted the blood.
.....Silence pursued the atmosphere after. My mother retreated to the bathroom alone, yet I could still hear her muffled cries through the door. Miles stayed in the kitchen staring at the picture of his daughter he kept in wallet, and I sat on the sofa, staring at the other houses, wondering what was happening in their kitchens, what their conversations revolved around, and how often their mother’s boyfriend punched her.
.....As my remembrance faded, I heard Miles' voice harshly bring me back to reality. “You can work on your blanket tomorrow,” Miles said defensively. He glanced at me, and I wanted to be outside. I wanted Blue to sing to me through his locusts, I wanted Blue to turn on the lamp post lights on, and I wanted Blue to breathe a gust of wind onto the leaves. I wanted to float with the leaves outside.
.....She stared at him for a quick moment, and I noticed anger, an anger I never saw in her eyes before even when she and my father argued. Bringing her hand up to lightly tap the bruise on her collarbone, she pursed her lips together then turned to me. “Stay inside, and don’t work on the blanket; I don’t want you to mess it up. We will work on it together.”
.....“But then it’ll never get done.”
.....As my mother trudged through the door, she turned around to smile at me, and I felt as though I had seen a shooting star that someone had stared at the sky for a while to see. Their footsteps echoed from their stomping on the porch. I could always tell the difference between their footsteps; my mother’s were gentle yet commanding, Miles’ were unwieldy.
Blue had completely taken over the sky after their departure, its eyes sparkling in stars. After having recalled the first time I witnessed my mother being hit, I pulled the deteriorating blanket closer. I retreat to my imagination where mother never left me home alone because she never would have met Miles and she would sit with me on the sofa, gripping my smaller, clammy hand in her own, offering a mother’s intimacy. We would stare at the leaves flying down the street together until I got up to move the knob of our broken-down. Then we would fly together. .....We would sit at the kitchen table for hours upon hours and I would study my mother’s
hands while they move graciously to knit our blanket and there would be no interruptions. No grating knocks.
.....I felt Blue’s presence in the room as I sat in an almost unbearable silence. I twiddled my thumbs. Night skies covered a multitude of people, yet I believed it rarely saw someone so lonesome. As locusts sang their melody around that house, I knew that I was not alone; Blue was there. They grew louder and louder. I gently placed my blanket on the sofa, scared that if I ripped another seam apart, my relationship with my mother would have the same effect.
.....As the melody became deafening, I danced to the croaks of the locusts and the rustling coming from the tap-dancing leaves. My toes glided along the floor, my arms spread outward. As I spun, my vision lost its quality and instead of seeing things as they were, I saw blobs of color loosely strung on lowly hung strings. The soft and uncomfortable grasp of the carpet on my bare feet felt like Miles’s hands on my waist, which I had felt on multiple occasions when my mother was not around. He started touching me when my mother took trips to the market to get ingredients for his dinners, and I never could tell my mother in fear she would rip apart the blanket we worked on together.
.....The sound of hard footsteps interrupted my reverie and suddenly, my feet stopped moving, my head stopped spinning, and I could see everything clearly. Miles entered the room, his face pale, his body reeking of cigarette smoke. As he stepped further and further into the room, I saw the fire ignite in the lamppost on the corner of the street, another sign that Blue was there with me. Disappointed, I sat back down on the sofa and pulled the blanket onto my body, and though it never worked as a battle shield before, it made me feel warm.
.....“Do you ever move?” Miles' voice sounded like he swallowed rocks years ago and was never able to cough them up. His fingers slid into their back pocket and impatiently yanked out a pack of cigarettes, and as he took out his lighter, I noticed how his eyes were intently focused on me. Because I hadn’t turned on the lights, it was still dark, dark enough to where Miles looked more like a shadow than a human.
.....“Where’s my mom?” I asked.
.....Miles strutted towards me, and I stayed on the couch. As he sat down, he draped his arm over my shoulder as if I were my mother.
.....“You’re a pretty young thing.” He placed the cigarette in his mouth and breathed smoke directly my way. “Prettier than your mother, I’d say.” When he smiled at me, I noticed how his teeth were rotten, painted yellow, and I wondered if it was because of all the times he had called my mother ugly and had called me beautiful; I wondered if rotten words led to rotten teeth. His breaths engulfed my nostrils and I could not breathe. As I stared at him, I wondered how my mother once believed that he had perfected perfection.
.....I stayed put and said nothing, hoping that this time he would realize I did not want him there. Cigarette-stained breaths crept closer and closer to me, and I felt his lips on my cheek. As soon as I felt this, I became angry with my mother, for she must have known something like this would happen. She knew how freezing it got when I was home by myself and that Miles was not the warmth I wanted.
.....“Get away from me,” I said, looking away from him. Staring out the window, I watched the lampposts, their bright lights creating a heaven in the living room and suddenly I felt as though Miles was not there. I only felt Blue’s presence, which had always made me feel safe. Blue always showed up when my mother did not. “Get away from me,” I repeated with my battalion of locusts and my soldier lampposts.
.....I was focused on the light beyond the window but still felt Miles staring at me. The only sound in the room was the hum of the radio. He inched closer, and I felt Blue shove me forward. Ignited, I launched and shoved Miles off the couch, yelling at him to get out, to leave me alone, and as he walked out the door, I destroyed the blanket, ripping the stitches on which my mother and I spent hours upon hours. My hands manipulated the fabric to undo the tainted stitches that only held memories of attempts rather than success.
.....The locusts outside sang me Blue’s lullaby once again, and I stared at the way in which the leaves float; they fly towards one another until a gust of wind forces them away.
​
In the 9th Ward, Austin Young, Photography
​
.....Somewhere in Bolivia is a small and quaint little village with a population of colored wild guinea pigs, or “cavies”. They all live happily, and they all love each other. But the skinny pigs aren’t quite as happy as the rest. The skinny pigs have no fur. They’re all differently colored; some are pink, some are brown, some are black, and some are mixed, but they have hardly any hair. The furred cavies do not speak to them.
.....It was supposed to be a special time for the skinny pig community. The furred cavies have children every ten weeks and don’t think much about it, but the naked ones have children every three weeks and they are always sure to make an occasion out of it. This particular birth was an exciting one because the mother was naked and the father was furred. Lord knows how they ever met each other, let alone conceived, but it didn’t matter. A haired cavy who talked to the naked ones was to be banished, but no one knew what would happen to a half-haired, half-naked cavy. There were no rules set for them. It was a ray of hope and sunshine and dewed raspberry bushes and dark safe caves for them that shone in the depths of the empty scary fields and dried-up grass and loud unknown echoes.
.....The only issue with the birth, though, was that the mother was hungry. This was the first and only time this was ever an issue, and this was obviously the worst timing for it to happen. The skinny cavies usually set aside most of their meager portions for the pregnant cavies, but the portions were becoming too scanty to spare. To compensate, she chewed on and hardly stomached bland dry hay and crumbling twigs and blighted carcassed limbs of the passed away skinnies. This wouldn’t be enough for any cavy, let alone a pregnant cavy. The worry in the community swelled like the pup growing in her emaciated stomach.
.....The day of birth went rather predictably. Cavies are the more civilized group of rodents, at least when it comes to parenthood, but they are still rodents. They are fallible to their instincts. That day, all the pigs circled around the mother like they usually do, observing and consoling her, and they all sensed the eventual doom, but they all watched anyway.
The greatest sadness is they never saw what the pup looked like. Before it even popped out she bent her head down to her groin and yanked the poor thing’s head out and her teeth gnashed into its brains. The second the mangled pup was fully out of its mother it was smothered by her underside. Its little legs were trembling in pain from the little life it ever had. The blood was thick like jelly and didn’t flow but was covering the mother’s face and belly and nearly spilled onto and squished into some of the audience’s paws. The tiny, stringy intestines were slurped on, lapped up, and quickly disappeared. She was eating it rather quickly because she was so hungry, so occasionally bones could be heard crunching through the squelching of the fleshy morsels. All the guts were eventually gone, its head first to go, followed by the muscles and flesh, then the skin, then whatever was left. The pup, which was all the while underneath her, was being carefully hidden, as she was, of course, embarrassed by this whole affair. All the other cavies understood and did not judge her.
.....The cavies were still surrounding her, and they were crying. They did not cry because of what she had done, nor did they cry for her health, and they didn’t even cry for the loss of a pup. When everything was done, and the mother, trembling and traumatized, crawled away, they all cried at the sight before them. It wasn’t the flesh that made them cry; it was all eaten and gone. It wasn’t the blood that made them cry; she had licked it all up before she left. It certainly wasn’t the violence of it all that made them cry; skinny cavies are used to brutality. What did make them cry was what was left behind, the one thing she couldn’t eat: the little brown tufts of hair.